64 on AFI’s 100 Years…100 Songs list of best melodies in American cinema in 2004. The film version of the song was ranked No. “ My Favorite Things” is a composition from the 1959 musical The Sound of Music by Rodgers and Hammerstein. It became a jazz standard and a signature piece for Coltrane in performance, and it was also featured on Newport ’63 in 1963. The record was a huge commercial success.Īs the title song of an album produced in October 1960 and released in March 1961, John Coltrane performed a fourteen-minute version in E minor. It was Coltrane’s initial record on which he played soprano saxophone.Ī modified rendition of the title song was released as a successful single on the radio in 1961. My Favorite Things is jazz musician John Coltrane’s eighth studio album, launched in March 1961 on Atlantic Records. His ‘Straight, No Chaser’ consists of merely one theme repeated, each time at a different portion of the bar and with a different ending.” 18. Gridley, a music educator, commented regarding Monk’s composition style: Monk used simple compositional procedures to get unique outcomes. Miles’ approach to the composition is more melodic, slower-paced, and lyrical, while John Coltrane’s improvisational technique is faster, with strong dissonance and odd rhythmic combinations of notes.Ĭannonball stands halfway between Davis and Coltrane’s short scalar and slower melodic passages, with Red Garlands Bluesy licks keeping Paul Chambers Strong Targeting arpeggio based. Straight, No Chaser features soloists Cannonball Adderley (Alto Sax), Miles Davis (Trumpet), John Coltrane (Tenor Sax), Red Garland (Piano), and Paul Chambers (Acoustic Bass). The album Milestones was recorded with Miles Davis’s “first great quintet, releasing it in 1958 by Columbia Records. It also includes two tunes not heard on the original album: “I’m in a Dancing Mood,” a piece from the Thirties musical This’ll Make You Whistle, and “Watusi Jam,” a trio performance - sans Desmond -based on the piece “Watusi Drums,” heard on the 1958 live album The Dave Brubeck Quartet in Europe.Straight, No Chaser from Milestones, Miles Davis’s debut album, was initially written by Thelonious Monk. The record will be released on December 4th, two days before the 100th anniversary of Brubeck’s birth.Īlong with the alternate “Take Five,” Time OutTakes will feature previously unreleased versions of several other pieces from the original Time Out LP, including “Blue Rondo à la Turk,” a piece inspired by a rhythm that Brubeck heard a street musician playing in Turkey while on a State Department tour. The tapes that make up Time OutTakes originally came to light while author Philip Clark was researching A Life in Time, a biography of Brubeck released this past February in honor of the pianist’s centennial year. Whereas on the final, Brubeck and bassist Eugene Wright play behind Morello’s feature, here the drummer takes the spotlight alone.Īubrey O’Day on Sean Combs Rape Accusations: ‘Been Trynna Tell Y’all for Years’ In his drum solo, Morello sticks close to the rhythm of Brubeck’s “1, 2, 3 1, 2” piano vamp, slowly building up density and excitement as he goes. You can also hear alto saxophonist Paul Desmond, who composed “Take Five,” getting used to improvising on the tune. They play the tune faster than on the familiar take and drummer Joe Morello hadn’t yet settled into the famously relaxed beat that made the five-beat structure feel so natural. On the alternate version, you can hear how the band is still acclimating to the feel of the piece’s 5/4 rhythm. Wednesday, in advance of Time OutTakes’ December release, Brubeck Editions is unveiling a never-before-heard early run-through of “Take Five,” streaming above. Roughly 61 years after the release of “Take Five” on Brubeck’s Time Out album, the late pianist’s estate will release TimeOutTakes, a new album of previously unreleased alternate versions of pieces from the iconic LP. But it was also a huge hit and the first platinum-selling single in jazz history. “Take Five,” a 1959 track by the Dave Brubeck Quartet, was always a musical oddity: a swinging, instantly catchy jazz piece written in the uncommon time signature of 5/4.
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